圖片來(lái)源：學(xué)習(xí)強(qiáng)國(guó)

指詩(shī)歌作品中所表現(xiàn)出的逍遙自適、超凡脫俗、無(wú)拘無(wú)束的審美情趣和藝術(shù)風(fēng)格。作為一個(gè)詩(shī)學(xué)術(shù)語(yǔ)，它也集中體現(xiàn)了詩(shī)人思想獨(dú)立、天性自由的精神氣質(zhì)和審美追求，及“獨(dú)與天地精神往來(lái)”、自由遨游于無(wú)限時(shí)空的意境，是詩(shī)歌意境、詩(shī)人與詩(shī)中人物融為一體而呈現(xiàn)出的藝術(shù)風(fēng)格。往往與“沉郁”的詩(shī)歌風(fēng)格相對(duì)應(yīng)。

Natural grace, a term for poetic study (often in contrast to the "melancholy" poetic style), refers to free and unconstrained aesthetic style and artistic appeal in poetic works. It gives expression to the imagination of the poet, the natural and free disposition of his spirit, and his pursuit of aesthetic enjoyment. When in such a state of mind, the poet is "totally absorbed in his interaction with heaven and earth," roaming freely in boundless time and space. The concept represents a poetic style in which the poet and what he portrays in his poem merge into a natural whole.

引例 Citation：

◎子美不能為太白之飄逸，太白不能為子美之沉郁。（嚴(yán)羽《滄浪詩(shī)話·詩(shī)評(píng)》）

杜甫寫不出李白那種自由瀟灑、超凡脫俗的詩(shī)篇，李白也寫不出杜甫那種深沉厚重的作品。

Du Fu could not write as freely and unconstrained as Li Bai, while the latter did not possess the style of melancholy and profoundness typical of Du Fu's poems. (Yan Yu: Canglang's Criticism of Poetry)

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供稿：北京外國(guó)語(yǔ)大學(xué) 外語(yǔ)教學(xué)與研究出版社

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